For the purposes of this essay I have chosen The Terminator, a science fiction B-movie feature from 1984. Although I intend mainly to study this purely as a single film, I do intend to study Terminator 2 in addition, thus making the essay a study of the series. In addition, I will be contrasting the theory written surrounding these films in relation to other contemporary postmodern theory, and as a result will be mentioning several other films by way of a comparison or contrast.
             The Terminator seems quite remarkable to me, for a number of reasons. Firstly, it is one of many action films I watched in my early teens; a considerable number of which, like this film, starred the Austrian body-builder turned actor, Arnold Schwarzenegger. What is so different about The Terminator though, is that unlike most of these films, this movie has enough depth and substance that, not only does it still bear watching now that I am older, but it also has an archive of academic theory written about it.
             The Terminator tells of a cyborg, a human shaped machine coated in flesh, that is sent back in time, from an apocalyptic future in which machines have 'got smart' and acted on their own to destroy the human race. The cyborg's mission is to assassinate the mother of the human's great leader, the man who taught the survivors to fight back against the machines. The woman, a young waitress named Sarah Connor, is protected only by a lone warrior - Kyle Reese - sent back to protect her by her future son, John. Reese is in love with Sarah, a love formulated from a photograph he has of her. A sexual relation with her causes pregnancy that will result in John's birth, before the pair manage to destroy the terminator, although not before Reese is himself victim to the wrath of the machine. John Connor has then in effect knowingly sent his own father back in time to his death so that he may himself be born.
             It is worth noting, that t...