Dramatic efforts of escape are at the heart of Richard Wright's "The
Man Who Was Almost a Man" and William Faulkner's "Barn Burning." Both
stories focus on young men who run from their past in search of a better
life. Dave and Sarty are alike in that they want to be mature; however,
they are strikingly different in how they seek to achieve their goal.
In "The Man Who Was Almost a Man," Dave is a young man who wants to
grow up and be a man. He associates manhood with owning a gun. This is
obvious when we are told, "One of those days he was going to get a gun and
practice shooting, then they can't talk to him as though he were a little
boy" (1788). We can also sense Dave's desperation when he begs for the
catalog after Mr. Joe tells him, "You ain't nothing but a boy. You don't
need a gun" (1788). Dave's mother also tells him that he is too young for
a gun but he refuses to believe it, adding, "But Ma, we needs gun. Pa ain
got no gun. We needa gun in the house. Yuh kin never tell whut might
happen" (1790). Dave genuinely belives that having a gun will transform
him somehow. Additionally, Sarah Hardy adds, "Armed with a gun, Dave
believes that he will no longer be scared. He will be powerful and
Dave does not think things through, however, which only leads him
further and further away from his goal of achieving manhood. Hardy
explains, "Dave makes a bid for more respect only to inspire shame and
humiliation" (Hardy). Indeed, Dave is demonstrating that he does not know
In "Barn Burning," Sarty is reaching for manhood as well, but he
reaches it in a different way. Sarty is in conflict with his father over
his father's actions. Sarty cannot understand why his father does what he
does. Sarty wants his family to have a home and he begins to think that
they have found it in the de Spain house.
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