In order to understand her relatives, and ultimately understand
herself, Maxine Hong Kingston records the stories of her family in amusing
and fanciful tales that point out the gap between the Chinese culture of
her mother, and the American culture of Maxine and her siblings.
Kingston's story is more than simply the age-old contest between mother and
growing daughter, it is a struggle to understand a culture she is part of,
and yet has never known. Often, her mother's actions make no sense to
Maxine, living a comfortable life in the U.S. She has no understanding of
hunger and want, and does not understand her mother's obsession with food,
waste, and eating. She writes, "We'd have to face four- and five-day-old
leftovers until we ate it all. The squid eye would keep appearing at
breakfast and dinner until eaten. Sometimes brown masses sat on every
dish. I have seen revulsion on the faces of visitors who've caught us at
meals" Kingston 108). Maxine reacts by rejecting her mother's love of all
food, and turns away from the stove as a method of silent protest against
the things she does not understand. She notes, "Even now, unless I am
happy, I burn the food when I cook. I do not feed people. I let the dirty
dishes rot. I eat at other people's tables but won't invite them to mine,
where the dishes are rotting" (Kingston 56). This is just one example of
the clash of cultures Maxine faces as she grows up, and how she reacts to
them. As she struggles to understand where she fits in American culture,
she also struggles to understand where she fits in Chinese culture - a
culture that is her heritage, but feels foreign to her.
Maxine's mother, Brave Orchid, is also caught between two cultures,
but she is far more Chinese than American and this is part of the widening
gap between her and her daughter. Just as Maxine does not understand many
of her mother's actions, Brav...