Dicken's Tale of Two Cities deals extensively with the tragedies and
            
 excesses of the French Revolution, in which the peasantry arose against the
            
 aristocracy. Because the revolution was a war between a farming class and
            
 the upper class, Dickens acquaints its work with the work of farming.
            
 Throughout the book he uses farming imagery to describe the work of the
            
 guillotine and the appearance of the revolutionaries.
            
       At the beginning of the book, Dickens describes the revolution as the
            
 Farmer Death. He speaks throughout the book about the inevitability of the
            
 revolution, and the way it had been gestating and taking seed in the land
            
 and in the hearts of the people long before it came to fruit. In Chapter
            
 One he writes: "It is likely enough that in the rough outhouses of some
            
 tillers of the heavy lands adjacent to Paris, there were sheltered from the
            
 weather that very day, rude carts, bespattered with rustic mire, snuffed
            
 about by pigs, and roosted in by poultry, which the Farmer, Death,had
            
 already set apart to be his tumbrels of the Revolution." (ch 1)
            
       He consistently describes the revolutionaries themselves as
            
 scarecrows. He explains his reasoning behind the metaphor himself,
            
 suggesting that the revolutionaries are scarecrows and that the aristocrats
            
 are the birds that should have learned their lesson and fly away.  "Every
            
 wind that blew over France shook the rags of the scarecrows in vain, for
            
 the birds, fine of song and feather, took no warning." (ch. 5)  Sure
            
 enough, by the end of the book the scarecrows have risen up and started
            
 killing the birds. " a vast dusky mass of scarecrows heaving to and fro,
            
 with frequent gleams of light above the billowy heads, where steel blades
            
 and bayonets shone in the sun." (ch. 21)
            
       Rather than take a sheerly sympathetic view towards the farmers or
            
 their victims, Dickens seems to keep a certain degree of balance between
            
 them. The f...