The various stories regarding Sir Tristram take up a great deal of
space in Malory's Morte d'Arthur. He is listed as one of the more
worshipful of the knights, equaled in skill and valor only by Sir Lancelot.
While to many readers the most interesting aspect of of Tristram's story is
the history of his tragic love affair with the beautiful lady Isolde,
Malory seems to view this almost as an aside to the main story of his great
victories on the field of honor. Indeed, the relationships and passions
that occur throughout this work seem to always serve more as an occasion to
battling than as the main focus of the work. One is reminded, somewhat
unfortunately, of the popular strain of children's T.V. shows now
cluttering network television in which barely pubescent boys go wandering
about the countryside challenging each other to various sorts of battles
(Pokemon and Yu-Gi-Oh come immediately to mind) to find out who will be
considered the greatest duelist of all. Like these modern tales of knight
errantry, Malory's work has a plot which is somewhat incidental to the
focus of his work, which is actually the way in which the battles play out.
So in telling the story of Tristram, Malory does not do as many romantics
since have done and focused on the relationship between Isolde and
Tristram, but rather their story appears piecemeal over the course of the
work as he speaks of the many battles between various knights and the
circumstances of court. These battles generally take the form of jousting.
Jousting serves many uses in Malory's story of Tristram, both as a form of
social communication and identity-building, as an entertainment and
pursuit, and as a method of conflict resolution.
. Jousting appears to be used at a very basic level in this Arthurian
society as a way of facilitating conversation and dominance structure. One
sees throughout that knights on first meeting will ...