Gayl Jones's Corregidora is not your typical response to a long and rather
terrifying history of slavery in the Americas. Instead, it is an attempt to
humanize the ugly experiences of older African-American generations. While
on the surface, it appears another story focusing on the history of slavery
in Americas; it is nonetheless a deeper and more complex analysis of that
period in time. Ursa, is the protagonist of the novel, who is burdened by
the painful history of her family and believes she is responsible for
passing the stories on to the next generation, the way her mother and
grandmother did. However since she has not experienced slavery in the way
her ancestors did, Ursa relives those experiences through her music. For
Ursa, music is her savior. She believes it can help her find the liberation
from past that she seeks so ardently. However because of the fact that her
ancestors including her mother and grandmother, constantly remind her of
their past, Ursa is perpetually haunted by her family history. Music is
important to her as she says in the novel, "I am Ursa Corregidora. I have
tears for eyes. I was made to touch my past at an early age ... Let no one
pollute my music. I will dig out their trumpets. I will pluck out their
eyes" (77). Music is her sole means of redemption because in the absence of
authentic records, Ursa felt her blues could the pain and suffering of her
ancestors to next generations. Corregidora has both real and symbolic value
in the book because on the one hand he is the person who destroyed the
lives of Gram and Great Gram while on the other, he also symbolizes male
legacy of chauvinism and exploitation that threatens the female freedom and
existence. In the novel, Ursa is so intricately connected with her family
history thatr everything that happens to her is linked with some past ugly
experience of her ancestors. For example, when she becomes infertile ...