The history of the violin in its physical development is about as
interesting and diverse as the history of its social standing. On the one
hand it was seen as a lowly instrument not worthy of genteel time, while on
the other it rose with leaps and bounds in social standing during the 17th
century. Even today the instrument still fascinates and even obsesses
According to Gheerardyn, the violin originated in the form of three
historical instruments: the rebec, the Renaissance fiddle, and the lira da
braccio. The first can be traced back to the 13th century and included
treble, alto-tenor and bass instruments. Its pear shape featured no sound
post, while the neck and peg box were integrated with the instrument
itself. Three strings were tuned in fifths, whereas its sound was
reminiscent of the oboe (Gheerardyn). The Renaissance fiddle originates
from approximately the 16th century. It included five strings and a violin-
like shape. Its top and back were connected with ribs, whereas the neck
and fingerboard were separate. It only included the soprano register. The
third, the lira da braccio, was more versatile than the Renaissance fiddle,
in that it was manufactured in a variety of sizes. Its back and top were
arched, with overlapping edges. Ribs and a sound post were supplemented
with four c-shaped sound holes. Of its seven strings, two were drones
The violin emerged from a combination of the three above instruments,
and several advantages soon favored it for popularity. There was for
example its greater sonority, the ease of playing and tuning, and more
sensible fingering (Gheerardyn). They were also lighter, smaller and
easier to carry when played at festive events such as weddings, dances and
mummeries, in addition to which the particularly well-tuned sound was a
Violins as they are known today evolved starting around 1520 in
northern Italy (S...