Prima facie, Shakespeare's Hamlet is a tragedy with the theme of
revenge at the heart of its drama. Yet, among the myriad number of revenge
tales, Hamlet stands out as one that strikes a highly resonant chord with
its audiences. While, no doubt, there are many reasons for Hamlet's
universal appeal, one definite reason is that most audiences identify with
Hamlet's sense of isolation. Indeed, it is Hamlet's isolation that makes
him into such a tragic figure, since he is seen as standing apart and alone
in a corrupt world that is full of political ambition, sexual depravity,
and moral conflict. A universal state of affairs that is all too
recognizable and experienced by every individual at some point in time in
life. Thus, it is the isolation of Hamlet's inner conflicts and struggles
that enable audiences everywhere to easily identify with him.
Hamlet's isolation and loneliness is evident in the play's first act
itself, which portrays him as isolated in his mourning for his father; by a
sense of being betrayed by his mother and uncle; by his knowledge of his
father's murder; and finally in his desire for revenge. Indeed,
Shakespeare's very introduction of Hamlet's appearance weaves an image of a
lonely, isolated figure. In Act 1.2 Claudius, the newly crowned King of
Denmark is seen entering with Queen Gertrude, Prince Hamlet, the Council,
and the Lords. Significantly, care is taken to mention that Hamlet is
dressed in black, thus singling him out as the lone mourner in the crowd.
The fact that Hamlet alone is still grieving for his father is further
established when his mother urges him to "Good Hamlet, cast thy nightly
colour off." (Hamlet, 1.2.68) Queen Gertrude, here, refers to not just
Hamlet's night-like mourning garments, but his gloomy demeanor as well. She
goes on to counsel Hamlet that death is a part of life. Hamlet acknowledges
the truth of his mother's wis...