If a casual reader just read Poe's "The Tell-Tale Heart," he would
only understand a part of what makes Poe such a master writer. Some
writers can only manage one genre well, but Poe managed to write poetry,
prose, and fiction, and each a little differently. Reading only one piece
by Poe is like eating your toast without butter. The toast will taste all
right, but it will taste even better if you enhance it with a little
something extra. "The Tell-Tale Heart" is the story of a madman, for who
else would murder an old man simply because he has a hideous eye' Yet,
there is more to the narrator of this piece, just as there is more to Poe
than horror. As one Poe critic maintains, "The complete unity of the story
disarms the critical faculties until the imagination of the madman seems
for the moment reality. It is an almost perfect illustration of Poe's own
theory of the short story, for every word contributes to the central
effect" (Quinn 394). From the first sentence in the short story, the
narrator admits he is nervous, and the reader gets a mental picture of a
madman who should probably be locked up. However, the man is not so mad
that he cannot intricately plan the murder of the old man, and he is a man
with patience and stealth, which indicates he may be able to function at
least at some level of normalcy in society. Certainly, the old man does
not suspect him, or he would have left the house. In fact, many critics
believe that the killing of the old man is really the narrator's way of
killing his own sense of himself, as this critic notes, "So in killing the
old man the narrator is attempting to kill his sense of himself as other
than himself" (Williams 38). Thus, Poe weaves some very complex notions
into this short story, and goes far beyond terrifying his audience, he
makes them dig deeper into the mind of a madman, and attempts to show what
motivates the mad, as well as the sane. No onl...