The concept of the avant-garde is still today an  area  of  contention
            
 since its initial cultural formulation by Saint-Simon in 1825.  One  of  the
            
 most important works to emerge that added to the contemporary debate on  the
            
 avant-garde and post-modernism was the classic work  by  Peter  Burger,  The
            
 Theory of the Avant- Garde. While this work had a  profound  impact  on  art
            
 and literary theory and on discussions about the  European  avant-garde,  it
            
 has in recent years been criticized on a number of levels.
            
       The central argument in Burger's  book  centers  on  the  meaning  and
            
 definition of the term avant-garde and how the concept  of  the  avant-garde
            
 differed from modernism. These are  crucial  issues  for  Burger,  which  he
            
 outlines in this work.  Central to The Theory  of  the  Avant-Garde  is  the
            
 argument that the concept of the term - avant-garde - should  be  understood
            
 as an awareness of the pitfalls of modernism and a  radical  attack  on  the
            
 dominant institutions of art and literature. According to Burger the aim  of
            
 avant-garde should be to re-integrate art into life  and  to  do  away  with
            
 arts  adherence  to  and  association  with   ideologies   and   established
            
       A cardinal aspect of the entire book, which has created controversy in
            
 both academic and artistic debate,  is  the  insistence  that  Burger  makes
            
 throughout his writing that  there  is  a  critical  and  sharp  distinction
            
 between modernism and the avant-garde. The book  outlines  the  deficiencies
            
 in  modernism  that,  in  Burger's  view,  contrast  so  clearly  with   the
            
 definition of the avant-garde.  He  states  that  modernism  is  defined  in
            
 terms  of  its  consistent  and  continuous  adherence  to  the  concept  of
            
 aesthetic  autonomy.   This  refers  to  the  cardinal   characteristic   of
            
 modernism, which is the assumption that the value of art as  "high  art"  is
            
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