Anita Diamant's fiction, "The Red Tent (1997)," is her interpretation
of the activities in the red tent, where the Canaanite wives of the first
patriarchs dwelt and celebrated the facets of womanhood, such as
menstruation and childbirth. There, they were shielded from their men's
outside affairs and cares. These patriarchs were Abraham, Isaac and Jacob
and the wives were Sara, Rebecca, Leah, Rachel and their maids Zilphah and
Bilhah. It assumes that these women were priestesses of goddess-worshiping
tribes of the Canaan region who practiced and perpetuated rituals,
traditions and habits until obliterated by their only daughter, Dinah,
because of her violation by an Amorite and the murder of the Amorites by
The novel is told from the first person viewpoint of Dinah, the only
daughter and last child of Jacob and Leah and the last in the maternal line
that should have sustained her mothers' goddess worship (Day 2003). She
narrates about the occurrences inside the tent where the women in her
father's family connect and relate, although not always in harmony, and her
perception of rape by Shechem, his pursuit of her in marriage, the
negotiations, and her brothers' violent murder of the Amorites and the
inequality of her world. The author, however, innovates that Dinah falls in
love with Shechem and that her brothers are impelled by envy because of the
costly terms of the betrothal. This forever alienates Dinah from her
maternal line and the goddess worship gives way to patriarchy (Day).
In those times, woman was the source of being and this power was
rooted in the land and celebrated by matriarchal traditions and rites,
despite warnings from prophets and preachers. It is argued that Sara was
the chief priestess of the goddess culture and that it was precisely
through feminine power and through the relationships these powerful women
in a common setting, the red tent, that Y...