The Laguna Pueblo are a Native American people that, according to
Silko in Yellow Woman and a Beauty of Spirit, "embrace the whole of
creation and the whole of history and time" (49). In this essay and in her
novel Ceremony, we see that the Laguna are not only connected to nature but
are part of it. The land and its creatures are their creation, their
history, and their time. In her essay, Silko writes of this embodiment of
the land within the identity of the Laguna: "Pueblos haveâ€always been able
to stay with the land. Our stories cannot be separated from their
geographical locations, from actual physical places on the land" (58). We
most clearly see this connection to nature in the story of the protagonist
In Ceremony we are treated to the homecoming of Tayo, who has been
away fighting a war in a foreign place. His experiences have distanced him
from emotion and from his heritage and connection with nature. Tayo's
barren emotional state and his disconnection from self are mirrored by the
drought-ridden land which greets his return. Before he can reconnect with
his lost self, Tayo must reconnect with nature. Tayo eventually begins to
heal because of experiences that reconnect him with nature. One of these
is when he begins to take care of the apricot tree in Ts'eh's garden. His
nurturing of the tree shows he is beginning to care again. He is
reconnecting his disconnected emotional self through extending care toward
others, particularly nature. Like Tayo in his adolescence, the apricot
tree is made by a storm, "vulnerable with leaves that caught snow and held
it in drifts until the branches dragged the ground" (Silko 208).
Tayo will also reconnect with nature through his love relationship.
However, when Tayo makes love his lover is in the form of nature imagery,
such as the Night Swan. When Tayo meets his lover h
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